Senin, 02 Juni 2014

# Ebook Robert Altman: The Oral Biography, by Mitchell Zuckoff

Ebook Robert Altman: The Oral Biography, by Mitchell Zuckoff

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Robert Altman: The Oral Biography, by Mitchell Zuckoff

Robert Altman: The Oral Biography, by Mitchell Zuckoff



Robert Altman: The Oral Biography, by Mitchell Zuckoff

Ebook Robert Altman: The Oral Biography, by Mitchell Zuckoff

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Robert Altman: The Oral Biography, by Mitchell Zuckoff

Robert Altman - visionary director, hard-partying hedonist, eccentric family man, Hollywood legend - comes roaring to life in this rollicking cinematic biography, told in a chorus of voices that can only be called Altmanesque.

His outsized life and unique career are revealed as never before: here are the words of his family and friends, and a few enemies, as well as the agents, writers, crew members, producers, and stars who worked with him, including Meryl Streep, Warren Beatty, Tim Robbins, Julianne Moore, Paul Newman, Julie Christie, Elliott Gould, Martin Scorsese, Robin Williams, Cher, and many others. There is even Altman himself, in the form of his exclusive last interviews.

After an all-American boyhood in Kansas City, a stint flying bombers through enemy fire in World War II, and jobs ranging from dog-tattoo entrepreneur to television director, Robert Altman burst onto the scene in 1970 with the movie M*A*S*H. He revolutionized American filmmaking, and, in a decade, produced masterpieces at an astonishing pace: McCabe & Mrs. Miller, Thieves Like Us, The Long Goodbye, 3 Women, and, of course, Nashville. Then, after a period of disillusionment with Hollywood - as well as Hollywood's disillusionment with him - he reinvented himself with a bold new set of masterworks: The Player, Short Cuts, and Gosford Park. Finally, just before the release of the last of his nearly 40 movies, A Prairie Home Companion, he received an honorary Oscar for lifetime achievement from the Academy, which had snubbed him for so many years.

Mitchell Zuckoff - who was working with Altman on his memoirs before he died - weaves Altman's final interviews, an incredible cast of voices, and contemporary reviews and news accounts, into a riveting tale of an extraordinary life. Here are a series of revelations that force us to reevaluate Altman as a man and an artist.

  • Sales Rank: #43592 in Audible
  • Published on: 2009-10-20
  • Format: Unabridged
  • Original language: English
  • Running time: 1089 minutes

Most helpful customer reviews

11 of 11 people found the following review helpful.
I can't say enough good things about this book
By Michael Beane
As a big Altman fan and a big fan of the oral biography form, it's not surprising that this book had me at hello. What an enjoyable read! Even the early life, slow sledding in most biographies, is vibrant and entertaining. Robert Altman is remembered in vivid detail by those who knew him, loved him, worked with him, sometimes didn't like him. In some cases the witnesses who comprise this book (including Altman himself -- the project started out as an authorized biography) disagree in their memories, or perhaps in what they choose to say. In a way it's like an Altman movie -- a cacophony of voices, sometimes talking over each other, full of images. And very funny. This is no eat-your-peas biography. When is the last time you didn't want to put a biography down or found yourself rationing the remaining pages to prolong it? He was a complex character, that is for sure. This book captures him as well as could reasonably be hoped for.

One striking thing is how many of the actors and (especially) actresses say essentially the same thing: the reason they are so grateful to him is he trusted them and let them spread their wings. He said let it go, trust yourself, and I won't let you be embarrassed. He didn't, and they delivered many of the shining moments in his movies. There is one great scene where a young Matthew Modine keeps wanting to go over his big scene with Altman, talk it through, and Altman kept putting him off. Then before Modine knew it the scene had been shot. Afterward Altman put a hand on his shoulder and said look, kid, you're the actor; if it was my interpretation of your character I wanted I would have cast myself. After a while word got around and a who's who of star actors were in Altman movies, sometimes at scale rates. In a sense it is a book about the movies and in another sense it isn't really about movies at all. He was a fascinating person. As one of the witnesses says (ex brother in law?), Bob was a flame who attracted many moths.

10 of 10 people found the following review helpful.
Altman and others on Altman
By Sherringford Clark
Mitchell Zuckoff's "Robert Altman: The Oral Biography" is a very comprehensive look at the man. It actually makes a lot of sense to do an oral biography of Altman, as his films often presented an amalgam of voices, just as this book sets out to do.

While Altman receives the well-rounded treatment, with one person (David Pinker) expressing almost wholly negative views of the man, there are several drawbacks to the oral biography form. For one, the content is wholly dependent on the people who agree to be interviewed. Consequently, there seem to be some gaps in the narrative of Altman's life and some movies seem to be discussed rather cursorily, eg, "3 Women."

On the whole, though, this work does an excellent job of presenting Altman the man and artist, warts and all, and you walk away with a strong impression of his special brand of genius. But, like many Altman works, it is kind of a mess as well, but a glorious one. In fact, I think this is about the best biography we're going to get of Altman, and I think he would be very pleased with it.

5 of 5 people found the following review helpful.
Overlapping Voices
By MJS
If you've seen even one Robert Altman movie you know that this is a man who would want his story told as an oral history. Altman's use of overlapping dialogue forced the audience to choose which voice to listen to in a cacophony of sound. Mitchell Zuckoff invited a multitude of voices telling about the Robert Altman they knew allowing readers to sift through the stories to find the man himself.

It helps that those speaking are an articulate, amusing bunch unafraid to tell embarrassing stories in which they feature or to call Kevin Spacey the "Norman Bates of Show Business", for instance. No amount of wit would make the first half dozen chapters fly by, however. It's admirable that Zuckoff wants to document the whole of Altman's life but I would have been satisfied with fewer stories of Bob's adventures at summer camp. Once Altman starts making movies Zuckoff's pacing spot on, mixing details about the financing of MASH with choice gossip like Altman's affair with Faye Dunaway. I'm still in awe of that revelation - wouldn't have pegged those two in a million years.

The picture that emerges is of a well-loved if not entirely likable man. Zuckoff shows why so many actors were devoted to Altman but he also shows that Altman was just another nasty, loud-mouthed drunk on occasion. One minute you find yourself fascinated by the loyalty Altman engendered, the next you're appalled at the loyalty he insisted upon. Like so many artists Altman put his work above any human relationship and that can be hard to take in large doses.

This isn't a critical assessment of Altman's work or an interpretation of his films. It's Altman's life story and critical to that is the story of his work so there are plenty of details about how nearly all of his films were made. Whether you're a fan or not (I'm merely a sometime fan of his work), this is a very enjoyable book, not unlike spending a three-day long bender with the man himself, but without the hangover.

Recommended for film and biography fans. Note that this is a true oral biography with very little connective narrative.

See all 12 customer reviews...

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