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A serial killer is on the loose in Beantown and the cops can't catch him. But when the killer leaves his red rose calling card for Spenser's own Susan Silverman, he gets all the attention that Spenser and Hawk can give.
Spenser plays against time while he tracks the Red Rose killer from Boston's Combat Zone to the suburbs. His trap is both daring and brave, and gives the story a satisfying climax.
- Sales Rank: #44810 in eBooks
- Published on: 2009-09-02
- Released on: 2009-09-02
- Format: Kindle eBook
From Publishers Weekly
The hero of Parker's bestsellers and a popular TV series, Boston private eye Spenser tells his 15th story, this time about events that affect him personally as well as his psychologist lover Susan Silverman and their buddy, Hawk. A husband murders his wife imitating the "Red Rose Killer," a serial murderer who has been leaving a rose on the corpses of his victims, middle-aged black women. When the spouse admits his guilt, government higher-ups assure feminist and ethnic pressure groups that the elusive maniac has been caught: case closed. But Spenser's friends in homicide, angered by the cover-up, enlist him and Hawk in an unofficial investigation that seems to implicate some of Susan's patients. Resenting the intrusion on her professional territory, Susan nevertheless cooperates. Spenser and Hawk, as guards, are therefore present during the psychologist's session with the dreaded but pitiable killer and the ensuing tense, final scene. Parker's biting wit, onomatopoetic dialogue and convincing characters are again notable attractions. So are details on the ambience of Boston and environs, except for one slip surprising in so accurate an author: discussions of the possibility of electrocution in Massachusetts, where there is no capital punishment. Mystery Guild main selection; Literary Guild and Doubleday Book Club selections.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
Tightly constructed prose and well-paced action characterize this exciting entry in the famous Spenser series. Psychotherapist Susan Silverman appropriates a more central role when a serial murderer turns out to be one of her clients. Working with two out-of-favor policemen to trap the suspect, Spenser and Hawk protect the independent Susan while she confronts the killer. Parker skillfully weaves Susan's objective theorizing, Spenser's mot juste narrative, and the killer's subjective emotions into fascinating psychological interplay. Smoother, better focused, and less cryptic than last year's Pale Kings and Princes . REK
Copyright 1988 Reed Business Information, Inc.
From the Publisher
5 1-hour cassettes
Most helpful customer reviews
25 of 27 people found the following review helpful.
Hooked on Spenser
By Abigail Weed Howard (aabigail@aol.com)
I'll start with a confession: I've never read Robert B. Parker before. And I didn't know anything about Spenser before I met him in Crimson Joy. I don't know - I thought maybe Sam Spade; dark, rainy nights, bare light bulbs in a dingy office.
Boy, was I wrong.
In this book, Spenser and friends are up against the Red Rose killer. The bad guy is quite obviously a psychological case, so Spenser's psychologist girlfriend gets to be a partner in crime as well as in bed, with delightful humor and good will. They're both such really great people, it's fun to be around them.
Spenser is in great physical shape; he's brave and witty; he's a gourmet cook. He's never ruffled. Faced with a slime talk show host or a five-thug citizen pressure group, his wit, strength, and courage save the day.
Okay, it might all be too good to be true, but this is a story. It's comfortable, funny, fast-paced, breezy and uncomplicated. The plot is clever enough to interest, even if the outcome is surly a foregone conclusion.
In Spenser's words, "To be who I was and do what I did had to assume I'd win." That's how I felt from the start and I was glad he was who he was and did what he did and I loved every minute of it.
12 of 12 people found the following review helpful.
Parker at his best
By Jeanna180
I have been reading Spenser since I was a teenager and this is one of the best I have read.
The case in the story, a serail killer who leaves a red rose at the scene of the crime, is a heart wrenching one. As the case developes the novel gets more intense and more belivable.
Then when the reader thinks the case is resolved Parker throws one last heart wrenching detail at his readers. This is parker at the top of his craft. A must read for any Spenser fan.
9 of 9 people found the following review helpful.
Typical Spenser fare, for Better or for Worse
By buddyhead
This book is a typical Spenser for Hire book, for better or for worse. You know the routine by now: capable of a read in a single sitting; the witty repartee; the sassy and cocksure internal narrative by Spenser; the sparring with Hawk to mask the mutual feelings of respect; the surprisingly clever descriptions of characters; the Boston settings depicted with pride. Parker is to be commended on his choice of words, because although his stories are so brief, they say a lot and don't waste much time. In fact, I describe the Spenser stories as compact more than short. They are powerful in that Parker never lets you forget he is a wordsmith, and capable of great bursts of creativity and humor.
Crimson Joy is not as action packed as other Spenser books, and is more cerebral. Susan plays more of a role in this one, too, and thus it has a lot of psychological overtones. This makes the book interesting from a clinical sense, but some readers might miss the fighting and machismo. This book is kind of sexy, too, in terms of its exploration of Spenser and Susan's relationship, though it never stoops to being crude or raunchy. [I keep forgetting these are just racy enough to prevent their becoming family books, since I find myself wanting to recommend them to folks of all ages.]
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