Ebook Download The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela
The way to get this publication The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela is extremely easy. You might not go for some places and also spend the moment to only find guide The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela Actually, you might not always get the book as you agree. However here, only by search and find The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela, you can obtain the listings of the books that you actually anticipate. In some cases, there are numerous books that are showed. Those publications certainly will certainly impress you as this The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela collection.
The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela
Ebook Download The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela
The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela. Eventually, you will find a brand-new adventure as well as understanding by investing more money. However when? Do you believe that you should obtain those all demands when having significantly cash? Why don't you attempt to obtain something simple at very first? That's something that will lead you to understand even more regarding the world, adventure, some locations, history, enjoyment, and much more? It is your very own time to proceed reviewing habit. Among the e-books you can delight in now is The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela here.
Reading The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela is an extremely helpful interest as well as doing that can be gone through any time. It suggests that checking out a book will certainly not limit your task, will certainly not require the time to invest over, as well as won't spend much money. It is a quite cost effective and reachable thing to buy The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela But, with that said quite inexpensive point, you could obtain something brand-new, The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela something that you never do and also enter your life.
A brand-new encounter can be acquired by reading a publication The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela Even that is this The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela or other book compilations. We offer this publication since you could discover more things to motivate your ability as well as understanding that will make you a lot better in your life. It will be additionally helpful for individuals around you. We recommend this soft data of guide below. To know how you can obtain this publication The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela, read more here.
You can find the link that we offer in website to download and install The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela By acquiring the budget friendly rate and also obtain finished downloading, you have actually completed to the initial stage to get this The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela It will certainly be absolutely nothing when having bought this book as well as do nothing. Read it and disclose it! Invest your few time to simply review some covers of page of this book The Underdogs: A Novel Of The Mexican Revolution (Penguin Classics), By Mariano Azuela to read. It is soft file and also easy to read anywhere you are. Enjoy your brand-new practice.
Hailed as the greatest novel of the Mexican Revolution, The Underdogs recounts the story of an illiterate but charismatic Indian peasant farmer’s part in the rebellion against Porfirio Díaz, and his subsequent loss of belief in the cause when the revolutionary alliance becomes factionalized. Azuela’s masterpiece is a timeless, authentic portrayal of peasant life, revolutionary zeal, and political disillusionment.
- Sales Rank: #214067 in eBooks
- Published on: 2008-07-29
- Released on: 2008-07-29
- Format: Kindle eBook
Review
“Mariano Azuela, more than any other novelist of the Mexican Revolution, lifts the heavy stone of history to see what there is underneath it.”—Carlos Fuentes (from the Foreword)
About the Author
Mariano Azuela (1873–1952) studied medicine in Guadalajara and served during the revolution as a doctor with the forces of Pancho Villa, which gave him firsthand exposure to the events and characters that appear in The Underdogs.
Sergio Waisman (translator, notes) is the recipient of a National Endowment for the Arts Translation Award and is a professor of Spanish at George Washington University in Washington, D.C.
Carlos Fuentes (1928–2012, foreword) is the author of more than twenty books and the recipient of many awards, including Mexico’s National Prize in Literature, the Cervantes Prize, and the inaugural Latin Civilization Award.
Excerpt. © Reprinted by permission. All rights reserved.
Table of Contents
Title Page
Copyright Page
Foreword
Introduction
PART 1
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
PART 2
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
PART 3
I
II
III
IV
V
VI
VII
Notes
PENGUIN CLASSICS
THE UNDERDOGS
MARIANO AZUELA (1873-1952), the most prolific novelist of the Mexican Revolution and the author of its most important novel, was born in a small city in the state of Jalisco, Mexico. He studied medicine in Guadalajara and served during the revolution as a doctor with the forces of Pancho Villa, which gave him firsthand exposure to the events and characters that appear in The Underdogs. Azuela is buried in the Rotonda de Hombres Ilustres, Mexico’s equivalent of Westminster Abbey.
SERGIO WAISMAN has translated Ricardo Piglia’s The Absent City, for which he received a National Endowment for the Arts Translation Award, and three books for Oxford University Press’s Library of Latin America series. He is the author of Borges and Translation: The Irreverence of the Periphery and the novel Leaving, and is an associate professor of Spanish at The George Washington University.
CARLOS FUENTES is the author of more than twenty books, including This I Believe, The Death of Artemio Cruz, and The Old Gringo. His many awards include the Rómulo Gallegos Prize, the National Prize in Literature (Mexico’s highest literary award), the Cervantes Prize, and the inaugural Latin Civilization Award. He served as Mexico’s ambassador to France from 1975 to 1977 and currently divides his time between Mexico City and London.
PENGUIN BOOKS
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto,
Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Group (Australia), 250 Camberwell Road, Camberwell,
Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre,
Panchsheel Park, New Delhi - 110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand
(a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue,
Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices:
80 Strand, London WC2R 0RL, England
This translation first published in Penguin Books 2008
Translation copyright © Sergio Waisman, 2008 Foreword copyright © Carlos Fuentes, 2008 All rights reserved
Los de abajo published in the United States of America in 1915.
ISBN : 978-1-4406-3852-7
CIP data available
The scanning, uploading and distribution of this book via the Internet or via any other means
without the permission of the publisher is illegal and punishable by law. Please purchase only
authorized electronic editions, and do not participate in or encourage electronic piracy
of copyrighted materials. Your support of the author’s rights is appreciated.
Foreword
“Revolutions begin fighting tyranny and end fighting themselves. ” So said Saint-Just, the French revolutionary who in 1794 was guillotined in the combat between the factions once united against the monarchy. Is this the fate of all revolutionary movements? It does seem to be the case: Russia, China, Cuba. The United States completed its exclusive 1776 revolution and faced Shays’ Rebellion only through civil war and battles over civil rights.
The Mexican Revolution (1910-20 in its armed phase) began as a united movement against the three decades of authoritarian rule of General Porfirio Díaz. Its democratic leader, Francisco Madero, came to power in 1911 and was overthrown and murdered in 1913 by the ruthless general Victoriano Huerta, who promptly restored the dictatorship and was opposed by the united forces of Venustiano Carranza, Álvaro Obregón, and Francisco “Pancho” Villa in the north and those of the agrarian leader Emiliano Zapata in the south. But when Huerta, defeated, fled in 1915, the revolution broke up into rival factions. Zapata and Villa came to represent popular forces, agrarian and small town, while Carranza and Obregón were seen as leaders of the rising middle class that Díaz had suffocated under the patrimonialist regime of huge haciendas using low-paid peon labor.
Mariano Azuela (1873-1952) was a country doctor who joined first Carranza, then Villa. In 1915, right in the middle of the war, he sat down and wrote a disenchanted tale of revolution sprung from one man’s experience. A chronicle, a novel, a testimony, The Underdogs is all of this, but above all it is a degraded epic, a barefoot Iliad sung by men and women rising from under the weight of history, like insects from beneath a heavy stone. Moving in circles, blinded by the sun, without a moral or political compass, they come out of darkness, abandoning their homes, migrating from hearth to revolution.
The people of Mexico are “the armies of the night” in Azuela’s book. They give the reader the impression of a violent, spontaneous eruption. But be warned. The immediacy that Azuela brings to the people is a result of the long mediacy of oppression: half a millennium of authoritarian rule by Aztec, colonial, and republican powers. If this weight of the past at least partly explains the brutality of the present, it applies not only to the mass of the people but also to the protagonists, the leaders, the individuals that Azuela thrusts forward: the revolutionary general Demetrio Macías and the revolutionary intellectual “Curro” Cervantes, accompanied by a host of supporting players. Like the people, Macías and Cervantes are heirs to a history of authoritarian power and submission. But if the rebellious mass is moving, however blindly, against the past, Macías and Cervantes are repeating the past. They are rehearsing the role of the Indian, Spanish, and republican oppressor, Macías on the active front and Cervantes on the intellectual side. They both see Mexico as their personal patrimony. They want to be fathers, judges, teachers, protectors, jailers, and, if need be, executioners of the people, but always in the name of the people.
The Underdogs thus presents us with a wide view of the social, political, and historical traits of Mexico and, by extension, of Latin America: it is a degraded epic but also a chronicle of political failure and of aspiring nationhood. There are no Latin American novels prior to independence in the 1820s. I might say that it is the nation that demands its narration, but also that narration needs a nation to narrate. This, indeed, links the origins of both the North American and Latin American novel. Whatever they actually are, they first appeared along with “the birth of the nation.”
The novel is a critical event. Religion demands faith, logic demands reason, politics demands ideology. The novel demands criticism: critique of the world, along with a critique of itself. While literature and the imagination are deemed superfluous (especially) in satisfied societies, the first thing a dictatorship does is to censor writing, burn books, and exile, imprison, or murder writers.
Do we need authoritarian repression to demonstrate the importance of literature, the critical freedom of words and the imagination? I cannot separate Azuela’s moral and literary significance from the fact that he drew a critical portrait of the Mexican revolutionary movement as it was happening, setting a standard of critical freedom that has prevailed in my country in spite of seven decades of authoritarian rule by a single party. There has been repression in Mexico—of political parties, individuals, unions, agrarian movements, journalists—but writers have maintained a high degree of critical independence. This is thanks to a very early exercise of this independence by Mariano Azuela and The Underdogs, followed by the critical chronicles of Martín Luis Guzmán, José Vasconcelos, and Rafael Muñoz.
This critical tradition against all odds should be compared with the silence imposed on Soviet writers by Stalinism, the exile of German writers from Nazi Germany, or the persecution of North American authors during the McCarthy era. The margin of critical and creative freedom, menaced by the political powers—always, everywhere—was maintained in Mexico thanks, in great measure, to the stakes planted by Mariano Azuela.
Azuela began his writing career with a Zolaesque naturalist novel, María Luisa (1907), and went on to register the foibles of politics (Andrés Pérez, maderista, 1911), political bosses (Los caciques, 1917), the middle classes (Tribulaciones de una familia decente, 1918) and the labor movement (El camarada Pantoja, 1937). The Underdogs (Los de abajo), nevertheless, remains his signature book, and its universal import is well taken as he describes human conduct that has the troubling quality of repeating itself everywhere and in all historical periods. The forces of social ascent and corruption: “Now we are the swells,” the grotesque camp follower La Pintada [War Paint] says as she assumes the heritage of the former proprietors.
Corruption unites the best and the worst. In one of the greatest scenes of the novel, several characters, pretending to sleep, see the others in the act of stealing. A common language of dishonesty, cover-up, and government by kleptocracy is born. It is a thieves’ pact of worldwide resonance. This is, indeed, a disenchanted epic, in which fatality engenders bitterness and bitterness enhances fatality, both illustrated by the scene where General Macías rolls a stone down a hill, murmuring: “Look at this stone, how it cannot stop.”
And yet, perhaps this epic of failures (or failed epic) is a great novel because, for all its realism, even in spite of its cynicism, it is astonished by a world it no longer understands. And it is this wonderful sense of surprise that gives Los de abajo its lasting wonder.
—CARLOS FUENTES
Introduction
The Underdogs is the most important novel of the Mexican Revolution. In its pages, we follow the actions of a band of revolutionaries—led by the protagonist, Demetrio Macías— at the height of the revolution’s armed phase, from 1913 to 1915. The novel works mainly with realism to portray many of the harsh details and effects of the revolution, indirectly drawing our attention to the possible motivations that drive Demetrio Macías and his men to fight. The novel is written in fragmentary prose, and although it is interspersed with moments of beautiful description, it is driven primarily by the dialogue of the protagonists and the surrounding characters themselves. This, combined with frequent, jarring narrative changes—such as alterations in verb tense; choppy, staccato exchanges in the dialogue; and temporal and spatial jumps—serves to reflect the jarring experiences that the characters encounter.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By camcam
A personal account from the perspective of a solider/Officer in theMexico's revolution.
4 of 12 people found the following review helpful.
Tempo was hard to follow
By Sparky
I really had a hard time with this book. Weather it was the translation, the style of the author, I am just not sure. The topic alone appeals to me, though. At times throughout the book I was enlightened and some parts were exceptional. The book reads almost like an old western in parts but I just could not pin down the story being conveyed. The "tempo" of the novel swayed so much and was hard to follow. I'm sure more knowledge of the Mexican revolution would have helped. But the story should be able stand on its' own.
9 of 10 people found the following review helpful.
Lost in the Translation
By flyingrasshopper
A vibrant period in Mexican history, but the translation's grammer era was off kilter. It was like "valley girl" idioms coming out of the mouths of characters from the late 1800s and early 1900s, it just did not hit the mark. I guess I will go back to the spanish text and just struggle through it for a more realistic framework.
The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela PDF
The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela EPub
The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela Doc
The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela iBooks
The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela rtf
The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela Mobipocket
The Underdogs: A Novel of the Mexican Revolution (Penguin Classics), by Mariano Azuela Kindle
Tidak ada komentar:
Posting Komentar